By Liliana Albertazzi, Gert J. van Tonder, Dhanraj Vishwanath
A very novel contribution to the matter of conception and vision...This very good and critical e-book opens up the door to a deeply knowledgeable perspective in cognitive science...By placing jointly one of these wealthy number of chapters, the editors have contributed to the renaissance of the autonomy and dignity of cognitive technological know-how. -- Minds & Machines
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Extra info for Perception beyond Inference: The Information Content of Visual Processes
These are “structure,” “data,” “information,” “cue,” “representation,” “perception,” “veridicality,” “hallucination,” “neural substrate” and so forth, which are the terms one encounters over and over again in scientific accounts of perception (Palmer, 1999). I pursue this somewhat circuitous route because I assume that my readers will mainly be from the sciences rather than philosophy. Thus, my arguments directly apply to various, often implicit, assumptions current in mainstream vision research.
Perception 33: 831– 835. Bezold, W. von. 1874. Die Farbenlehre in Hinblick auf Kunst und Kunstgewerbe. (The Theory of Colour from the Viewpoint of Art and Art Works) Braunschweig. Blum, H. 1967. ” In Models for the Perception of Speech and Visual Form, edited by W. Whaten-Dunn. Cambridge, MA: MIT Press. 362–380. , and Cohen, J. 1998. ” Nature 391: 756. Brentano, F. 1995a. Psychology from Empirical Standpoint, edited by L. McAlister. London: Routledge. Brentano, F. 1995b. Descriptive Psychology, edited by B.
The radiance is non–negative throughout, and is such that the ray density for a certain direction is invariant with respect to displacements of the eye along that direction. Otherwise the radiance is an arbitrary function of direction that sums up “everything there is to see” at the location of your eye. This is the account of physics. ” The observer is an intelligence that performs sequences of parallel computations or inferences on the bases of the image with the aim to arrive at an interpretation of the cues.