Intimate domain : desire, trauma, and mimetic theory by Martha J. Reineke

By Martha J. Reineke

For René Girard, human existence revolves round mimetic wish, which frequently manifests itself in acquisitive contention once we locate ourselves in need of an item simply because one other wishes it additionally. Noting that mimetic wish is pushed by means of our feel of inadequacy or insufficiency, Girard arrives at a profound perception: our wish isn't really essentially directed towards the other’s item yet towards the other’s being. We understand the opposite to own a fullness of being we lack. Mimetic wish devolves into violence whilst our quest after the being of the opposite continues to be unfulfilled. So pervasive is mimetic hope that Girard describes it as an ontological disorder. In Intimate Domain, Reineke argues that it can be crucial to reinforce Girard’s mimetic conception if we're to provide an entire account of the illness he describes. getting to familial dynamics Girard has missed and reclaiming points of his early theorizing on sensory event, Reineke makes use of psychoanalytic idea to put Girard’s mimetic idea on less assailable flooring. Drawing on 3 exemplary narratives—Proust’s In seek of misplaced Time, Sophocles’s Antigone, and Julia Kristeva’s The outdated guy and the Wolves—the writer explores familial relationships. jointly, those narratives show corporeal hermeneutics based in psychoanalytic concept can usefully increase Girard’s insights, thereby making sure that mimetic concept continues to be a definitive source for all who search to appreciate humanity’s ontological affliction and determine a possible cure.

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In the descriptions of kinesis summarized here, Bolens and other researchers account for the transformative potential of narrative. Playing a key role is the fundamental relationality of kinesis. More complex than a mere indexing of gesture and movement that would assign specific meanings to a smile or a wave of the hand, kinesic responsiveness founds our capacity to experience the presence of another. ” Gestures are not meaningful to us because we “translate” them into signs. Rather, when we look at someone smiling, somatosensory images that correspond to what it would feel like to be the locus of the same emotional expression that prompted the smile are generated.

Drawing on a compelling example—the young Marcel’s visit to the theater—Girard begins Mensonge with a groundbreaking sketch of the dynamics of triangular desire. Marcel has a passionate desire to see a performance of the great actress La Berma, who has been an object of admiration by Bergotte, a popular novelist idolized by Marcel. When Marcel eventually attends a performance, he is profoundly disappointed. La Berma’s performance is unremarkable. Following the event, Marcel confesses his disillusionment with the great La Berma to Norpois, a former ambassador and friend of Marcel’s father.

97 Thus, Kristeva’s novel points beyond itself to the incarnational theology of the Eastern Church. Promising participation in the life of God, this theology brings to expression the intimate mediation to which Girard alludes but which he does not develop. Checking Girard’s apocalyptic vision, this theology can be drawn on to magnify Girard’s allusions to positive mimesis and strengthen a tenuous thread of hope that is woven through Girard’s work. PA RT 1 In Search of Lost Time PRELUDE Mothers Marcel wearily dips the cake into the tea and, as the soaked crumb touches his tongue, he feels miraculously delivered from his wretchedness.

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